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As a professional audio engineer I have worked with internationally recognized artists such as Hiram Bullock, Ann Nesby, Next, Michael Bland and Cynthia Johnson.
In 2003 I graduated as the first student enrolled at the Institute of Production and Recording for Audio Production / Engineering. I spent some time as a house engineer at MasterMix Studios
before focusing on my own engineering ventures with Abstract Studios
and Connor Productions. Although quite proficient in all things both
analog and digital, I consider myself to be a digital audio specialist.
Heavily involved in compression codecs and digital media production
& distribution, I have developed many techniques for getting the
absolute most out of digital audio as a recording, editing, mixing, and
distribution format.
I trust my ears, have a track record
(recording? hehe) of highly satisfied clients, and am proficient with
many Digital Audio Workstation environment and both analog and digital
mixing consoles.
Head over to my portfolio page to view my resume and for samples of my work.
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I have re-established ConnorProductions.com as my online base for music production. I would appreciate it if all of you who love what I do would spread the word. Thanks!
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I only use 100% genuine LAME encoded mp3s. There is no competition if you want to encode the best mp3s possible.
I use Ogg Vorbis for my own music collection and would use it 'in the wild' if more people knew about it.
For archiving I use the FLAC lossless audio codec.
My DAW of choice is Steinberg's Cubase 4 (with a soft spot for Ableton Live and the live capabilities of Apple's Logic).
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Professional